Amegalithrisesfromasandydesert–orrather,ascalemodelofsuchalandscapeIamthearchive,saysayoungfemalevoicewhileominousstringmusicnailsviewerstotheirseatsThisopeningsetsthestageforthenarrativeandfigurativelanguageofRithyPanh’sdensemnemonicessaywhichusesstunningdioramastotellatwentyfirstcenturydystopianstoryAfteracenturyofgenocidalideologiesanddestructivespeciesism,animalshaveenslavedhumansandtakenovertheworldInawaveofhope,thestatuesofthepasthavebeenremovedbutnewonesarebeingerectedtosuppressthewillofthepeopleThisisnowaplanetofapes,boarsandlions,andazoologicalrevolutionisreversingandrecreatingtheatrocitiesofthe20thcenturyAsanimalfigureswatchthefilmarchivesofourworld,itfeelsasifLumièrehasbeentransportedintoafilmbyMélièsorWillisHO’BrienWeareallwellawarethathistoryrepeatsitselffirstastragedy,thenasafarceThetimehasnowcomeforthisfarce,inwhichpoliticallanguageinhabitsourdreamsandconsumesus,toallowthepossibilityofagracefulandtenderinsubordinationtoemerge