Ayşe,Ali,MehmetandZeyneparemiddleclassmillennialsstrugglingtomakeendsmeetinIstanbulEitherstilllivingwiththeirparentsorhardlygettingbywithouthelpfromtheirfamilies,theyareallbesetbysimilarwoes:moneycrunch,joblessness,socialisolationInviewoftheworld’shorrorsthatZeynepenumeratesinherdiaryentries,theseareminorproblems,‘slightdisasters’,buttheyareallconsuming,atleasttotheextentofmakingthemcryinthestillofthenight　　However,UmutSubasi’sfirstfeature,AlmostEntirelyaSlightDisaster,isnotamelodramaWithanappealinglylighttouch,itdiagnosesthemalaiseofagenerationthathasrunupagainstadeadend,onewhosefutureprospectsareindistinguishablefromagameofchanceThisisaworldwhereastrology,thelotteryandonlinepersonalitytestscompetewithvisaandjobapplicationsaslifeshapingelements　　Fittingly,thefilmisstructuredaroundchanceandcoincidence,withitshandfulofcharactersencounteringeachotherineverypermutation,asthoughtherewerenoworldoutsidethissmallsocialbubbleWithselfaware,frontalframingthatpinscharacterstotheirsurroundingsandacounterintuitivemusicalscorethatturnspathosintohumour,Subasioffersasocialmediamoviewithoutsocialmedia,onewhosecharactersareunitedintheirdoublelivesandfrustrateddesires　　源自:https://iffrcom/en/iffr//films/almostentirelyaslightdisaster